Mithun Chakraborty wasn't only satisfied being a businessman. He was creating a whole new film industry of his own. A pop song is supposed to behave like milk. It is meant to spoil, to curdle into ...

While shooting in Mashobra, Tejaswini Kolhapure stumbled upon the very spot where her sister Padmini filmed the iconic Pyar Jhukta Nahin song Tumse Milkar Na Jaane Kyun. Tejaswini Kolhapure and (right ...

Mithun Chakraborty, faced early career hurdles due to his skin color and financial struggles, even sleeping on footpaths. Despite winning a National Award early on, he battled prejudice and ...

Mithun Chakraborty is one of the greatest actors of his time, he has been hailed as the ‘Disco King’. Recipient of three National Awards, Mithun has done over 350 films in a career spanning over five ...

Mithun Chakraborty is not just a Bollywood icon but a symbol of resilience, versatility, and mass appeal. From an art film actor to a disco legend, and a character actor to a political figure, his ...

Mithun Chakraborty has earned the name of a star among the people. The Padma Bhushan recipient is respected as an exceptional actor by his fans, he also earned the title of 'Disco King' at one point ...

Mithun Chakraborty has the earned the name of being the star of the masses. Celebrated as an exceptional actor by his fans, he also held the title of ‘Disco King’ at one point in his career. There was ...

In 1985, eight out of the top ten films were predominantly male-led; however, the female-centric film "Ram Teri Ganga Maili" secured the top position on the list. If you are inquiring about Bollywood ...

Mithun Chakraborty started from scratch in bit roles and had no Godfather backing him. Yet, remarkably, his career now straddles six decades and he continues to win acclaim, observes Dinesh Raheja.

Actor Mithun Chakraborty, the Dadasaheb Phalke Award recipient, reflects on his journey, the importance of awards, his evolving approach to films, and his desire for re-releases of past hits. Veteran ...

Beyond the gobbledegook of method and spontaneity, in the realm of cinema, there is a Mithun Chakraborty school of acting that simply classifies a performance between convincing and unconvincing.